{"id":499,"date":"2026-04-27T07:53:03","date_gmt":"2026-04-27T07:53:03","guid":{"rendered":"https:\/\/kstories.kr\/en-ko\/ent260422002-enkr\/"},"modified":"2026-04-27T07:53:03","modified_gmt":"2026-04-27T07:53:03","slug":"ent260422002-enkr","status":"publish","type":"post","link":"https:\/\/kstories.co.kr\/en-ko\/ent260422002-enkr\/","title":{"rendered":"Busan Cinema Studio, ‘HOPE’ Virtual Production, and Cannes film festival selection Capability recognition"},"content":{"rendered":"
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Busan Cinema Studio, 'HOPE' Virtual Production, and Cannes film festival selection Capability recognition<\/div>\n

Busan Cinema Studio, operated by the Busan Film Commission, supported the Virtual Production (VP) art for ‘HOPE,’ an invited work at the 79th Cannes International film festival, and had its art capabilities internationally recognized. Since 2014, Busan Cinema Studio has been supporting advanced art art facilities and expert personnel, and it contributed to expanding the technological horizons of Korean cinema by participating in the 3D modeling of ‘HOPE”s main backdrops.<\/p>\n

'HOPE's Cannes selection and Busan Cinema Studio's Virtual Production<\/h2>\n

We introduce how Busan Cinema Studio supported Virtual Production art for Director Na Hong-jin’s ‘HOPE’ art, contributing to its selection as an invited work for the Cannes film festival film festival. It is mentioned that the studio has been operating the ‘Virtual Production art Support business, project, enterprise’ since 2014.<\/p>\n

advanced 3D Modeling art project for the Film 'HOPE'<\/h2>\n

We explain the process by which the studio participated in 3D modeling work to precisely implement the village panoramic view, the main backdrop of the film ‘HOPE.’ It covers how real spaces were converted into high-resolution data using XR Tech Lab’s high-performance 3D scanners, and how 3D scan data, which forms the basis of CG art, was provided.<\/p>\n

Director Na Hong-jin's comeback film 'HOPE,' the future of Korean Cinema<\/h2>\n

We emphasize that ‘HOPE’ is Director Na Hong-jin’s comeback film after 10 years and one of this year’s top future with the largest production budget in Korean cinema history. We introduce that it received a great response locally with an official invitation to the Cannes International film festival, its North American release scheduled for September, and the overwhelming scale and visual aesthetics of its teaser trailer at ‘CinemaCon 2026’ in the US.<\/p>\n

Achievements and expansion, extension of Virtual Production project business, project, enterprise<\/h2>\n

We cover the achievements of Busan Cinema Studio, which has supported a total of 20 project arts to date, including ‘Phantom Detective,’ ‘Space Sweepers,’ and ‘12.12: The Day,’ through its ‘Virtual Production art Support business, project, enterprise.’ It is explained that recently, the scope of its project has been expanding to include media art projects such as ‘Avocado’ and ‘Superposition.’<\/p>\n

Introduction to the Reorganized 'Virtual Production & art art Support business, project, enterprise'<\/h2>\n

It is explained that this year, the existing business, project, enterprise has been reorganized into the ‘Virtual Production & art art Support business, project, enterprise.’ We introduce the dual operating method, divided into ‘Virtual Production art project (project\u2160)’ for national projects and ‘Filming location art project (project\u2161)’ for local creators, as well as the project equipment (such as LED WALL, robotics system, SONY Venice, ARRI ALEXA Mini).<\/p>\n

Busan Cinema Studio’s Virtual Production art project goes beyond ‘HOPE”s Cannes selection, playing a key role in the art innovation and expansion reinforcement of the Korean art industry. Through continuous project business, project, enterprise reorganization and expansion, extension, Busan is expected to establish itself as a leading art art hub in Asia, leading the future art content industry.<\/p>\n

English Version<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Busan Cinema Studio, 'HOPE' Virtual Production, and Cannes film festival selection Capability recognition Busan Cinema Studio, operated by the Busan…<\/p>\n","protected":false},"author":11,"featured_media":498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[646,650,641,645,643,649,644,648,642,647],"class_list":["post-499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-3d-modeling","tag-advanced-technology","tag-busan-cinema-studio","tag-cannes-international-film-festival","tag-film-hope","tag-korean-cinema","tag-na-hong-jin","tag-video-production-support","tag-virtual-production","tag-xr-tech-lab"],"_links":{"self":[{"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/posts\/499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/comments?post=499"}],"version-history":[{"count":0,"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/posts\/499\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/media\/498"}],"wp:attachment":[{"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/media?parent=499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/categories?post=499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kstories.co.kr\/en-ko\/wp-json\/wp\/v2\/tags?post=499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}